Master and Commander: The Far Side of the World (2003) Full Streaming

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You will observe an extensive description of Master and Commander: The Far Side of the World below:
  • Original Title : Master and Commander: The Far Side of the World
  • Movie title in your country : Master and Commander: The Far Side of the World
  • Year of movie : 2003
  • Genres of movie : Adventure,
  • Status of movie : Released
  • Release date of movie : 2003-11-14
  • Companies of movie : Universal Pictures, Twentieth Century Fox Film Corporation, Samuel Goldwyn Films, Miramax,
  • Countries of movie : United States of America,
  • Language of movie : Français, Português, English,
  • Durationof movie : 138 Min
  • Average vote of movie : 6.9
  • Youtube ID of movie : 4wDVf5Tkc88
  • Translation of movie : DA,EN,DE,IT,ES,RU,FI,PT,ZH,SV,PL,TH,RO,UK,HE,FR,EL,PT,TR,HU,CS,NL,
  • Actors of movie :Joseph Morgan (William Warley, Cpt. of Mizzentop), Paul Bettany (Dr. Stephen Maturin), Bryan Dick (Joseph Nagle), Robert Pugh (Mr. Allen), Jack Randall (Boyle), Chris Larkin (Capt. Howard), Mark Lewis Jones (Mr. Hogg), Tony Dolan (Mr. Lamb), William Mannering (Faster Doudle), Patrick Gallagher (Awkward Davies), Thierry Segall (French Captain), Russell Crowe (Captain Jack Aubrey), Ousmane Thiam (Black Bill), Richard McCabe (Mr. Higgins), Max Benitz (Calamy), James D'Arcy (1st Lt. Tom Pullings), David Threlfall (Preserved Killick), John DeSantis (Padeen), Alex Palmer (Nehemiah Slade), George Innes (Joe Plaice), Lee Ingleby (Hollom), Billy Boyd (Barrent Bonden), Ian Mercer (Mr. Hollar), Richard Pates (Williamson), Edward Woodall (2nd Lt. William Mowett), Max Pirkis (Blakeney)
The courage to do the impossible lies in the hearts of men.

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Master and Commander: The Far Side of the World is a better movie excreted by Universal Pictures, Twentieth Century Fox Film Corporation, Samuel Goldwyn Films, Miramax, featuring a description of the movie is "After an abrupt and violent encounter with a French warship inflicts severe damage upon his ship, a captain of the British Royal Navy begins a chase over two oceans to capture or destroy the enemy, though he must weigh his commitment to duty and ferocious pursuit of glory against the safety of his devoted crew, including the ship's thoughtful surgeon, his best friend.". The film was produced with excellent graphic quality, best ear busting sound quality and finest starring actors.

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Line Producer : Bridget Bourke, Production Accountant : Jen Hutchinson, Set Medic : Jeffrey D. Stevens, Set Designer : Bill Hiney, Construction Coordinator : Gary Deaton, Script Supervisor : Brenda Lopez, Craft Service : Orlando Chongo, Costume Supervisor : Dawn Y. Line, Set Designer : Manuel Martínez, Lighting Artist : Michael Sean Foley, Art Direction : Mark W. Mansbridge, Driver : Tom Gilhooley, Screenplay : Peter Weir, Stand In : David Oliver, Visual Effects Supervisor : Pablo Helman, Costume Design : Wendy Stites, Casting : Fiona Weir, Co-Producer : Bob Weinstein, Production Illustrator : Daren Dochterman, Makeup Effects : Gabriel De Cunto, Production Coordinator : Andy Foster, Set Dressing Artist : Giovanni Bianchini, Layout : Dani Morrow, Sound Re-Recording Mixer : Doug Hemphill, Camera Operator : Jamie Barber, Music Editor : Simon Leadley, Production Sound Mixer : Art Rochester, Color Timer : Jim Passon, Set Designer : Carlos Benassini, Art Direction : Héctor Romero, Translator : Quincy Perkins, Digital Effects Supervisor : David Ebner, Stunt Coordinator : Daniel W. Barringer, Helicopter Camera : Phil Pastuhov, Set Designer : Nick Navarro, Transportation Captain : Wayne Stone, Production Design : William Sandell, First Assistant Camera : Robert Hill, Transportation Coordinator : Russell McEntyre, Set Decoration : Robert Gould, Hairstylist : Edith I. Amezcua, Rigging Grip : Oscar Gomez, Producer : Duncan Henderson, Visual Effects Producer : Jeff Werner, Art Direction : Marco Niro, Editor : Lee Smith, Screenplay : John Collee, Executive Visual Effects Producer : Blondel Aidoo, Sequence Supervisor : Jay Cooper, Dialect Coach : Judy Dickerson, Producer : Samuel Goldwyn Jr., Makeup Department Head : Edouard F. Henriques, Co-Producer : Harvey Weinstein, Visual Effects Coordinator : Kimberly Adams, Visual Effects Producer : Helen Elswit, Unit Publicist : Sandy O'Neill, Researcher : Brice Criswell, 3D Supervisor : Christopher Bonnstetter, Assistant Director : Alan B. Curtiss, Casting : Mary Selway, First Assistant Editor : John Lee, Set Production Assistant : Heather Anderson, Gaffer : David Lee, Storyboard : David Russell, Electrician : Willie E. Dawkins, Studio Teachers : Maxine Arbarbara, Scoring Mixer : Robert Fernandez, Visual Effects Editor : Kosta Saric, Studio Teachers : Judith M. Brown, Art Direction : Bruce Crone, Steadicam Operator : Harry K. Garvin, Foley : Gary A. Hecker, Dolby Consultant : Andy Potvin, Sound Recordist : Tim Gomillion, Best Boy Electric : Rick Maddux, Quality Control Supervisor : Timothy Michael Cairns, Unit Production Manager : Todd Arnow, Digital Intermediate : Hilda Saffari, Technical Supervisor : Brian Gee, Unit Manager : Rafael Cuervo, Construction Foreman : James Arrigo, Stunts : Joey Anaya, Director of Photography : Russell Boyd, Seamstress : Marcelina Barraza, Producer : Peter Weir, Visual Effects Editor : Tom Barrett, Assistant Art Director : Kevin Ishioka, Set Dressing Supervisor : Jennifer Lewicki, Second Unit Cinematographer : David R. Ellis, Original Music Composer : Christopher Gordon, Special Effects Coordinator : Daniel Sudick, Visual Effects Producer : Julia Frey, Sound Designer : Richard King, I/O Supervisor : Brian Cuscino, Executive Producer : Alan B. Curtiss, Original Music Composer : Richard Tognetti, Post Production Assistant : Sassica Francis-Bruce, Art Department Coordinator : Gerald Lehtola, Video Assist Operator : Adam Barth, Dialogue Editor : Hugo Weng, Co-Producer : Todd Arnow, Boom Operator : Jeffrey A. Humphreys, Post-Production Manager : Patrick Esposito, Set Designer : Mark Hitchler, Hair Department Head : Yolanda Toussieng, Camera Operator : Don Reddy, First Assistant Sound Editor : Linda Yeaney, Loader : Sal Alvarez, Visual Effects Supervisor : Mitchell S. Drain, Novel : Patrick O'Brian, Thanks : Christopher Terrill, Telecine Colorist : Eric Putz, Stunt Coordinator : Doug Coleman, Still Photographer : Stephen Vaughan, Digital Compositors : Kathleen Beeler, Casting Associate : Nicole Hilliard-Forde, Original Music Composer : Iva Davies, Utility Stunts : Mitch Toles, Camera Operator : Martha Susana Ramos, Co-Producer : Meyer Gottlieb, Property Master : Doug Harlocker, Lighting Technician : Derick Pritchard, Visual Effects Producer : Stephanie Hornish, Post Production Supervisor : Jeffrey Harlacker, Makeup Artist : Robin Beauchesne, Sound Effects Editor : Michael W. Mitchell, Grip : Chris Centrella, Director : Peter Weir, Camera Operator : Matthew J. Siegel, Armorer : Steve Auvenshine, Foley : Nancy Parker, Set Costumer : Javier Arrieta, Rigging Gaffer : Stephen Johnstone, Visual Effects Supervisor : Stefen Fangmeier, Projection : Larry Hoki, Production Office Coordinator : Derek Jan Vermaas, Camera Operator : George Billinger III, Location Manager : Michael John Meehan, Propmaker : Bobby Mara, Leadman : Christopher Neely, Script Supervisor : Wilma Garscadden-Gahret, Sound Re-Recording Mixer : Paul Massey, Camera Operator : Guillermo Rosas, Standby Painter : Anthony Gaudio
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